[reading list] A Biological Turn

Since finishing the MA back in September, I seem to have been slipping sideways into the cultures and ethnography of the biological (loosely defined), as the flip side of Haraway’s cyborg theory. Currently chewing my way through any number of articles on synthetic/marine/astro biology, and multispecies ethnography, I’ve thrown together this – partial – reading list as a way of structuring my research.

‘I am a creature of the mud, not the sky. I am a biologist who has always found edification in the amazing abilities of slime to hold things in touch and to lubricate passages for living beings and their parts. I love the fact that human genomes can be found in only about 10 percent of all the cells that occupy the mundane space I call my body; the other 90 percent of the cells are filled with the genomes of bacteria, fungi, protists, and such, some of which play in a symphony necessary to my being alive at all, and some of which are hitching a ride and doing the rest of me, of us, no harm. I am vastly outnumbered by my tiny companions; better put, I become an adult human being in company with these tiny messmates. To be one is always to become with many.’

Donna Haraway (2008), When Species Meet (University of Minnesota Press) , pp. 3-4.

‘So far, microbes have been described as bearers of important messages, as in need of protection from contamination, as versatile, as possibly chimerical, as invasive, as smelly, and as shit bugs. If not strictly taboo, microbes are certainly objects of interest and anxiety; their relations to humans matter to these scientists. And they come to matter precisely through their manifestation as media—as symbolic intermediaries between human selves and an oceanic other, as material things whose functions can be investigated as biomedia.’

Stefan Helmreich (2009), Alien Ocean (University of California Press), p. 58.

‘Any search for a shadow biosphere must consider the role of ecological niches and address the issue of why standard life could not/did not invade and conquer the locales harboring weird life.’

P.C.W. Davies et. al. (2009), ‘Signatures of a Shadow Biosphere’, Astrobiology, Vol. 9 (2), p. 242.

weird life, culture(s) beyond the human, xenobiologies (artificial or extraterrestrial), cross-species politics, geoengineering, FOXP2, protocells, biofilm, bios/zoe, Cetacean personhood, ‘Blue-Green capitalism’, the bureaucracy of the hive, Lovelock/Lovecraft, the possibilities of uplift …

Sand Biofilm 17Creative Commons License photo credit: adonofrio

Reading List

  • Cultural Anthropology 25:4 (2010), various
    • ‘The Emergence of Multispecies Ethnography’, S. Eben Kirksey & Stefan Helmreich
    • ‘Fingeryeyes: Impressions of Cup Corals’, Eva Hayward
    • ‘Viral Clouds: Becoming H5N1 in Indonesia’, Celia Lowe
    • ‘Ecologies of Empire: On the New Uses of the Honeybee’, Jake Kosek

Walt Disney’s Tomorrowland

Great video, condensing the ubridled optimism of the 20th century technological imaginary of the then-hegemonic United States into some weird, techno-utopian nugget. These images are our legacy futures; our inheritance and the fetters on our collective imagination.

Atemporality is a dinosaur called Iggy

Anglo Dino
Creative Commons License photo credit: jfpickard

Took this shot while walking a chunk of the Downs Link. Welcome to Southwater’s Lintot Square, part of my old stomping ground, and a definite non-place. Behold, the spooky semiotics of the ‘New Ruins of Great Britain‘; a final, desperate bulwark against the total evacuation of local history:

‘Some 153 years ago the world was awestruck as images of a concrete Iguanodon, designed by Hawkins, appeared in the Illustrated London News. Remarkably both events are linked, for the celebrated Crystal Palace Iguanodon was based on fossils found in Horsham in 1840, whilst the new bronze Iguanodon is based on fossils found in Southwater, a village 2 miles from Horsham, in the 1920s. (…)

The Crystal Palace Iguanodon became the icon of the Victorian era, inspiring New York to create its own prehistoric theme park. The solid concrete monster attracted visitors across the globe as it stood proudly on its man made island. Following on from its discovery in the 1920’s the Sussex and Dorking Brick Company used the Southwater Iguanodon as its logo. With the demise of that company the image disappeared from public consciousness, just as Crystal Palace did after the fire in the 1930’s. Now, thanks to Miller Construction (UK) Ltd. and Horsham District Council, the Iguanodon can become the icon for the new Southwater of the 21st century, an icon not made of concrete but bronze.’

Horsham District Council, ‘A Tale of Two Iguanodons‘, October 2006.

[future shock] Weaponised Corpus Linguistics

Okay, so this one’s just a suggestion — but we’re operating at full batshit here, and you know someone’s going to try building it. The panopticism of the public database, from one of the comments on Charlie Stross’ piece on the peculiar machinations of Foundation X:

‘Also, does anyone else keep thinking of that textual analysis algorithm they used on Agatha Christie’s books, that was meant to identify when she started to lose it?

If there’s an open source implementation, would it be cruel to integrate it with [They Work For You]?’

Alex, on ‘Did somebody just try to buy the British government?’, Charlie’s Diary, 03/11/2010

UPDATE (04/11): Here we go.